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Eka Mardiys

Eka Mardys
(b. 1992, Bali)

Born and raised in Bali, Eka Mardiys draws inspiration from the island’s rich artistic heritage, especially traditional Balinese painting, themes, and iconography. He seamlessly integrates these influences with elements from American traditional and Japanese tattoo design, creating a unique visual language that bridges cultures. Deeply embedded in Bali’s Rock 'n' Roll scene, Eka often collaborates on illustrations and visual projects for local music venues, including a well-known Rock 'n' Roll bar. Beyond tattooing, his artistic practice extends into cultural commentary and visual storytelling.

As one of Bali’s prominent tattoo artists, Eka has established Sekala 369, his studio, as both a creative space and a cultural hub. Through Sekala 369, he hopes to cultivate dialogue around tradition and identity, bringing ancestral narratives and ornamentation to the forefront of modern tattoo culture. His tattoos are deeply influenced by local stories and indigenous aesthetics, reimagining tattooing not just as a subcultural or urban expression, but as an extension of Nusantara’s rooted traditions.

In November 2024, Eka and his studio held a group showcase titled “Alir Alur: A Sekala 369 Art and Tattoo Showcase” at Masa-Masa, Ketewel, Bali, further cementing his mission to merge heritage with contemporary practice.

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Trance-scedency, 2025
190 x 90 cm
Acrylic and drawing marker on Kamasan canvas 

The rapid development of technology in today's era often gives rise to deep concerns—particularly around how it affects human sensibility. As we integrate increasingly sophisticated technologies into our lives, especially artificial intelligence, we are faced with a troubling reality: the erosion of ethical boundaries, cultural values, and emotional sensitivity.

 

AI often transcends (or even overrides) long-established norms, raising urgent questions: To what extent can such technologies be considered beneficial to human well-being without disrupting the cultural fabric or damaging the environment?

 

In Balinese tradition, there exists a sacred ritual called kerawuhan, referring to the moment of “arrival” or spiritual possession during a trance. This state of trance is considered a meaningful experience—through it, divine or ancestral spirits offer guidance and insight. Unlike the spiritual clarity of kerawuhan, however, modern technological "trance" often leads humans into a kind of unconscious automation, where awareness and emotional depth are diminished.

 

Trance-Scedency explores this contrast: the difference between transcendence rooted in spiritual consciousness and transcendence that stems from technological dominance. In the face of accelerated innovation, we must hold onto rasa—our capacity to feel, to be aware, and to remain in harmony. Only through the cultivation of consciousness and sensibility can humanity maintain balance, even amidst unprecedented technological progress.

EKA MARDIYS_Trance-scedency, 2025, 190cm x 90cm, Acrylic and Drawing Marker on Kamasan Can

Timeline

2022

Melali ke–Malaysia – Mini Exhibition at Wayang Kulit Tatu, Subang Jaya, Malaysia

Ubud Print Fair – Group Exhibition at Titik Dua, Ubud, Bali, Indonesia

2023

Komodifikasi Ornamen – Group Exhibition at Kulidan Space, Gianyar, Bali, Indonesia

2024

Out Of Stockroom – Showcase at Sika Gallery, Ubud, Bali, Indonesia

Alir-Alur – Sekala 369 Art and Tattoo Showcase at Masa-Masa, Ketewel, Bali, Indonesia

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