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Ni Luh Pangestu

Ni Luh Pangestu Widya Sari is a Balinese visual artist whose practice centers on printmaking, with a particular focus on the linocut technique. Rather than relying on color to create contrast, Pangestu is more drawn to the tactile textures produced by the carved strokes of her tools. For her, the sensory engagement with the surface—through touch—is as vital as the visual composition, offering a multisensory experience that deepens the viewer's interaction with her work. This emphasis on texture introduces a new dimension to her practice, extending beyond figurative elements and imaginative forms.

Rooted in the animistic worldview of Balinese society, where every being is believed to possess a spirit and a voice, Pangestu’s works often embody a subtle, magical presence. Her visual narratives are influenced by these beliefs, resulting in compositions that feel both mystical and intimate.

Pangestu’s approach to linocut is not limited to the final printed image. She frequently repurposes the carved linoleum blocks themselves as standalone sculptural objects, treating the carved surface as the final artwork. Her practice is deeply inspired by literary narratives and ancient tales, which she reimagines through surreal forms and expansive wall compositions. Her works often break away from the constraints of the traditional print format, transforming wall surfaces into immersive storytelling spaces where the boundaries between artwork and architecture dissolve.

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Step Up, 2025
45 x 35 cm
Offset Ink and Carved on Linoleum

Step Up is represented as a personal or collective journey toward growth, transformation, and resilience. This artwork symbolizes the moment when one must confront challenges, take initiative, or rise above limitations—whether social, emotional, or spiritual.

The piece tells the story of a woman’s struggle to catch up with a man of different status or position—symbolized by a staircase within the artwork—with the hope of reaching a potentially better future. The woman attempts to follow him through various efforts, represented by the symbols in the piece. She carries a large bag, possibly filled with the essentials she needs, and wears high heels to elevate herself and match the man's stature. A bird also appears in the work, symbolizing freedom, transformation, or a new perspective.

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Timeline

2021

Tak Kenal Maka...”, Kulidan Kitchen and Space, Gianyar Bali
 

“+62361: Unfolding The Current Ripple”, Titik
Dua Ubud, Bali

2022

“Chanting for Humanity” Ubud Writers and
Readers Festival, Indus Restaurant Ubud, Bali

 

“Lelaki Jangan Menangis”, Titik Dua Ubud, Bali
 

“Ubud Print Fair”, Titik Dua Ubud, Bali
 

“ Urup”, Uma Seminya Gallery, Badung, Bali
 

“Whoafrank”, The Apurva Kempinski, Bali

2023

“Sekala-Niskala” Project Eleven X Footscray
Community Art, Melbourne, Australia


“Post-Tradisi” Lano Art Project X Titik Dua
Ubud, Bali

 

“Toreh” Nonfrasa Gallery x Ubud Print Fair,
Ubud, Bali

 

“Cetak” Purga Art Space X Ubud Print Fair,
Ubud, Bali

2024

“Broken White Project” Ace House, Value Art
Jakarta, JIExpo Kemayoran, Jakarta

 

“Daily Lives” SUN Contemporary, Pererenan,
Bali

 

“On Tradition” 16albermarle Project Space X
Delmar Gallery, Sydney, Australia

2025

“Rwa Bhineda” SUN Contemporary, Pererenan,
Bali

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